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Martin
* Blood * Violent * Strong Language ** Nudity (FF) * Gory *
1977/Color/90 Min./Thorne EMI Video & Braddock Associates/Not Rated
Director..............George A. Romero (Crazies, Night of the Living Dead)
Screenplay........George A. Romero
Music.................Donald Rubinstein
Producer............Richard Rubinstein (Cast:
Special Effects and Make-up by Tom Savini (Friday the 13th, Maniac)
Dramatis Personae
Martin..................John Amplas
Cuda....................Lincoln Maazell
Christina..............Christine Forrest
Mrs. Santini..........Elyane Nadeau
Arthur...................Tom Savini (Creepshow, Dawn of the Dead, Maniac)
Housewife victim..Sara Venable
Train victim..........Fran Middleton
Lewis...................Al Lavitsky
Father Howard.....George A. Romero
Critique: All in all an interesting portrayal of the problems of a vampire from the vampires perspective for a change. The biggest challenge for a vampire is staying calm so as not to make a mistake and get caught.
Ironic ending is good.
Telephone problem: you can dial the phone while another is off the hook.
Plot Summary: Martin breaks into the sleeper car of a woman on his train with a syringe and a razor blade and then he does something very weird with them. Martin is a troubled boy Tata Cuda a distinguished older gentleman picks him up in Pittsburgh and they board another train for his home where he intends to save Martin's soul and then destroy him, but the magic of Christianity has no effect on Martin. Damn these phones in horror movies anyway. In this one you can dial while another one's off the hook. Phone? Martin settles in working for Cuda as a delivery boy, where he seems a bit uncomfortable around the customers. No wonder he's a bit uncomfortable around people, since his birth, his family has been convinced that he is Nosferatu, a curse that runs in the family, the family shame. Troubles with women false perceptions.
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